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An elegant mystery set in the French Riviera, Amagansett, and Switzerland, Open Secrets by Sheila Kohler shimmers like the Mediterranean sea. In a sun-strewn villa in Beaulieu-sur-Mer, a banker enjoys a seemingly idyllic life with his American wife and their inquisitive daughter. But when their fortune becomes entangled with that of a charismatic oligarch, darkness descends with rapid speed. The novel seduces and startles. Throughout her work, Kohler often obscures the distinction between literary invention and personal history. In her novel Cracks (1999), the author names a secondary character “Sheila Kohler,” while in her short story, “Africans” (1998), Kohler dramatizes the abuse suffered by her late sister. We are led to ask— as she does repeatedly in her spectacular memoir, Once We Were Sisters (2018)— what really happened? Despite their grand trappings, the characters in Open Secrets do not occupy the world of Daphne du Maurier or Patricia Highsmith. The particulars of contemporary life (the etiquette of FaceTime, for instance) contour familial dynamics. But as the suspense mounts, the scope of the novel is revealed: Russian liaisons, hidden dossiers, convenient suicides, and complicit children render a frightening—and thrilling—landscape. — Ian Malone
An elegant mystery set in the French Riviera, Amagansett, and Switzerland, Open Secrets by Sheila Kohler shimmers like the Mediterranean sea. In a sun-strewn villa in Beaulieu-sur-Mer, a banker enjoys a seemingly idyllic life with his American wife and their inquisitive daughter. But when their fortune becomes entangled with that of a charismatic oligarch, darkness descends with rapid speed. The novel seduces and startles. Throughout her work, Kohler often obscures the distinction between literary invention and personal history. In her novel Cracks (1999), the author names a secondary character “Sheila Kohler,” while in her short story, “Africans” (1998), Kohler dramatizes the abuse suffered by her late sister. We are led to ask— as she does repeatedly in her spectacular memoir, Once We Were Sisters (2018)— what really happened? Despite their grand trappings, the characters in Open Secrets do not occupy the world of Daphne du Maurier or Patricia Highsmith. The particulars of contemporary life (the etiquette of FaceTime, for instance) contour familial dynamics. But as the suspense mounts, the scope of the novel is revealed: Russian liaisons, hidden dossiers, convenient suicides, and complicit children render a frightening—and thrilling—landscape. — Ian Malone
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